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Making the Cover
A Look Into the Creative Process |
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I put this page together to
show a little bit about the collaborative process. More times than not,
projects have more than one person involved which makes it very much a give
and take. Typically, one person ultimately does have the final say but it
always fascinates me to see how inputs from differnt people affect the final
outcome. I like seeing the difference between a project when it starts and
when it is considered "done."
I work with Marcus a lot on many different projects because we work well
together. Even though this is his baby, he gives me lots of creative
freedom and will listen to suggestion. He will aslo shoot down suggestions
that are weak. In the end I think the result is a lot stronger than if it
is just one person working alone. |
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When "the sky is the limit,"
starting an illustration can be tricky. In this case Marcus had an idea
of what he wanted to see on the cover of his book. He threw together this
little collage to show what he wanted in the composition. This was extremely
helpful because it gave a good starting point and helped me narrow in
on what was going to be seen.
In this case, he knew he wanted a street scene with a mushroom cloud at
the end, a clocktower, and the main character in the foreground.
I always like seeing my own artworked used creatively in these little
collages. It's funny.
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From the
collage I sketched out a rough drawing to work out the composition a little
more clearly. I suggested putting Vivian's whole body in to give a sense
that she's in the action rather than just standing in front of
it. I didn' want her to look like "the weather girl' showing us a
disaster on a screen behind her but to appear as someone who was in the
middle of danger.
Sketches like this are done quickly because
they are often likely to change as ideas get tossed around and you don't
want to invest time and detail into something that's going to get thrown
out.
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Marcus approved
the rough so I did a more detailed drawing. Here's where I start fine tuning
the compsotional elements and work out the pose and the details. |
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Here's
the first color study. This is where color and lighting start coming into
play. Since there is a giant explosion at the end of the street that was
the obvious light source. And since were's dealing with fire, warm colors
such as red, and oranges seemed logical.
However...
Sometimes logical isn't
the most interesting. And literal interpretations don't create
the right emotional vibe. So...
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I revisted
the color study. All the hot colors made the cover feel to me more like
a Hollywoord movie poster or a comic book cover. Even though the research
I did I did on nuclear explosions showed orange fiery mushrooms clouds,
I wanted something that looked like chemical destruction and had more
of a decaying, sickly feel.
Greens and blues felt better. And since
a lot of the Oblivion Society illustrations has greens and blues, this
stayed true to the overall mood. |
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